Van Gogh painted
haystacks. And sunflowers.
Another painter – I can’t
recall his name –
Gave us portrait upon
portrait of
The same woman. He knew
the
Countryside where her
breast
Swept gently upward and
then descended
Toward heaven on the long
highway
Of her arm. Still, there
was
Mystery.
I know a word that sits
each morning
In the leafless top of an
old tree
Outside my window. I chart
the
Shifting shadows on its
face as the
Rising sun moves from
solstice to solstice.
In moonlight, its wings
glisten like a
Newborn lamb in the halo
of a shepherd’s lamp
When breath leaves
luminous tracks
In the air.
In the woods, I keep a
discreet distance to hear this word
Speak itself to snake
skins and mouse burrows and
Tufts of rabbit fur caught
in sagebrush.
My journal fills with
awkward translations: the bowed
Backs of willows paying
homage to snow; Venus near
The pink horizon of a winter
sunrise; the
Passion play performed in
my daughter’s eyes
When a barefoot porcupine
crosses
Our path.
Occasionally, at my desk,
when I am quiet and
Looking the other way, I
catch this
Word among others on the
page,
Like a chickadee knocking
on pine cones, and I
Hold my breath. I want to
see deeply, to know.
But the sound of my
longing always stirs
The branches, and the word
flies from the
Corner of my eye, and,
like magic,
Is gone again.